What is it? We work together for a month on our own series concepts in a goal-oriented structure. In doing so, we'll put our material into a meaningful order, and give it the shape that will allow for the further development of season arcs and individual episodes.
The dramaturgical foundation is tested and formed, as we exchange collegial feedback and receive individual guidance from ScriptCoaches.
This ScriptDock training offers a variety of text examples from series that have already been filmed; in German and in English; both bibles and pilots; in multiple genres.
The weekly assignments provide a work structure that ensures YOU WRITE IT :-)
Advanced Training
Four steps to a dynamic and complete story engine.
Each week, we work our way through one dramaturgical level, weaving together and condensing all the ingredients of the story into the central conflict.
You are accompanied by script coaches who read each step of the process and strengthen the individual goal of the author.
The structure and individual feedback make this training an efficient shortcut to your own concept or exposé.
Build a driving and resilient engine for your story.
You'll need it!
Know your WORLD Know your TONALITY Know your CHARACTERS Know your central CONFLICT
Is this right for me?
This training really works regardless of where you are with your project at the beginning!
Whether you only have an idea or already have a lot of material, the material will be transformed into a resilient story engine in the protected incubator. In one month, we bring even complex material into a meaningful, dynamic structure and build a solid drive for your story.
This training is perfect for successfully writing the following SCREENPLAY MARATHON!
And the concept is always the basis for a successful PITCH at the next ONLINE PITCH EVENT!
COMMUNITY
We start the training with a live call to introduce our projects and meet fellow writers. The weekly check-ins provide helpful, motivating feedback and support! Check the calendar for dates.
Tasks for TV Series
What is my WORLD? WRITE 1-2 pages
What is my TONALITY? WRITE 1 scene
Who are my MAIN CHARACTERS? WRITE 2 pages
What is my CENTRAL CONFLICT? WRITE 1 scene
Tasks for Feature Films
What is my WORLD? WRITE 1 page
Who are my main CHARACTERS? WRITE 1 page and 1 scene
What is my TONALITY? WRITE 1 scene
What is my central CONFLICT? WRITE 1 page and 1 scene
The INNER COMMITMENT breaks down a lot of problems. Because by committing to these steps and fulfilling the tasks, no matter how well, SOMETHING MAGICAL HAPPENS - GUARANTEED!
It leads to results, not just in our heads but on paper in front of READERS.
Writing is a lonely craft - which can sometimes slow down the process. Here you receive constructive feedback for all steps from the trainers, plus share the process with colleagues who are also pushing their projects further. That is contagious!
How do I sign up?
Now only € 122,00 ! + VAT
You will receive a tax-deductible invoice.
Committed writers have left this training with great results. We learned from it and continued to optimize this training. It really works!
Become a scriptDock pirate!
To reach your goal over the next month, including: 1 Basic Training, 1 Advanced Training, 1 ScreenWriting Marathon with Coaching and 1 free Pitch. More information
First of all, a big thank you for sticking with me and my attempts and not giving up, but in a very nice way—sometimes you need a gentle nudge like that to overcome your inner sloth!
I'm really glad now that I overcame my resistance and that feeling we all know when things "aren't going so well", and that I stuck with it.
I found that Tonality Training really helped me, and as an author, you should do it much more often to—as described —train the “muscle” like you would in sports ;)
Of course, it's always a challenge alongside your own work and everyday life, but it's worth it!
I find the structure and the questions of the training very helpful and they accelerate me forward in my work. I have the feeling that I am being guided along the core theme, and that following the tasks and answering the questions actually unfold the material as if by magic.
The fog disappears and a path of concrete writing and research lies before me. I'm glad to be a part of it. Thank you for the training. For me it's been a great support.
I wanted to thank you and the October training, I got into the Netflix writing program with the project I worked on with your feedback at the training! Thank you guys! I don't think I would have had the push to submit without your feedback!
For me it's great that this workshop offers a protected space and helps you not to stray from the path. There is always feedback and suggestions, and they are like a machete in the jungle to find the path of how you really want to tell the story. Also, I know that fear of having send something to potential partners and then sinking into self-doubt.(...) And what works against self-doubt is only continuous writing and training. So thank you for this workshop. I think it's a super good thing!
Es hat mir wirklich Spaß gemacht und ich würde es gerne wieder machen. Ich fand es toll zu sehen, wie andere Leute an die Loglines und Szenen herangegangen sind - das hat mich auf eine Menge Ideen gebracht. Mir gefiel auch das Feedback, das der Trainer und die anderen Teilnehmer gaben
A great opportunity to practice your writing in such a concentrated way with other people's material and to force yourself to dive into genres that are outside your comfort zone. Even though I came out as an absolute "Dune" fan, I surprisingly found the work with the musical material of "Cyrano" and also the work with King "Richard", a Bio Pic, to be the most enlightening.
The basic training helped me a lot to develop my screenwriting skills and prepare me for the follow-up courses at scriptDock.
The training itself is always state-of-the-art with a selection of brand-new scripts to work on.
I particularly enjoyed working with the coaches Paula and Carmen, who worked in a professional atmosphere that was both trusting and sensitive, and an empathetic approach to the weak points in the scenes and loglines and always motivate us to improve.
I decided to take the training on the spur of the moment and am immensely grateful for it - for so much openness and willingness to listen to / read from each other, receive and give constructive feedback, grow and develop with each other. The goals and deadlines set in the group gave me the necessary motivation to actually meet them, as I felt a certain responsibility towards the others. The result was a steady, joyful progression of our very individual stories.
I started out with texts and spent a lot of time re-writing them, which made them more mature. I didn't get around to reading that much. The feedback I received was nice and specific, I knew exactly what to work on.
It was important for my process to write every day, the characters started talking eventually. The structure was great! There are still questions left to answer, but there seems to be a path.
Every writer functions differently: for me reading actual bibles and pilots was more helpful than reading books about screenwriting. In addition, it was great receiving feedback from a variety of talented people. Sometimes inspiration is ignited by friction :-)
Paula, Wow! Am still at work but just flew over your notes and find them very, very great! Thank you so much! You'll get yours soon too and I'll reply here again in detail too! Thanks a lot! Such great feedback makes this platform alive!
For me, the weekly reading of scripts, the training to write loglines and the exercise to capture the tonality of a script by writing another scene in the same style was very useful. To focus on constantly working on the logline has worked for me, because a good logline is a prerequisite for selling a script on the market. The task of writing scenes in a certain tonality gave me the idea for a new screenplay. Thank you for that.